文化評論人、劇場評論人，先後任教於香港浸會大學人文及創作系、香港演藝學院舞台及藝術製作學院。曾發表500多篇評論文章，涵蓋香港流行文化、香港劇場、視覺藝術和新媒體項目等。2015年獲「香港駐紐約經濟貿易辦事處 ── 亞洲文化協會獎助金」，赴紐約考察當地另類表演藝術空間；並於2019年獲「香港藝術發展局 ──第二屆藝術行政人員海外考察計劃」資助，先後前赴柏林戲劇節、阿維儂藝術節及愛丁堡國際藝術節考察。著作包括《火紅與劇藝：學聯戲劇節初探》（合編，2011）、《後九七香港粵語流行歌詞研究》（合著，2011）及《詞場 ── 後九七香港流行歌詞論述》（2016）。

A performing arts critic and researcher who is interested in alternative performing arts spaces. Leung has published over 500 pieces of reviews, from theatre criticism to cultural criticism concerning Hong Kong theatre productions, visual art exhibitions, and new media projects, in newspapers, magazines, journals and conference materials. In 2015, Leung received the ‘Hong Kong Economic and Trade Office in New York (HKETONY) – Asian Cultural Council Fellowship Grants’ and conducted an extensive research on alternative performing art spaces in New York. From 2016 to 2018, Leung had been invited by the West Kowloon Cultural District Authority (Hong Kong) to a research project titled ‘Hong Kong Theatre Aesthetic Study on Tang Shu-wing’. In 2019, Leung received the ‘2nd Overseas Training Scheme for Arts Administrators’ grant from the Hong Kong Arts Development Council, which supported her in-depth thematic studies of the Berliner Festspiele (Berlin), Le Festival d’ Avignon (Avignon), and Edinburgh International Festival (Edinburgh). Some of Leung’s recent publications include Redness and Drama: A Preliminary Study of the School Festival (co-author, 2011), A Study of Post-1997 Hong Kong Canto-pop Lyrics (co-author, 2011), and Words Field: Post-1997 Hong Kong Popular Music Lyrics Discourse (2016).