Artist and writer based in Hong Kong. Chan holds a BA and MFA in Fine Art and an MA in Gender Studies, all from the Chinese University of Hong Kong. He has always taken text and literature as points of departure in his artistic endeavor, through which he contemplates the intimate relationship between painting and literariness.

His recent solo exhibitions include The Name Red (2021), Everyday Practice (Hong Kong 2019 and New York 2020), Land of Longing and Exile (2019), and Alongside Poetry in an Alley (2016-17). Chan has been a finalist in the Sovereign Asian Art Prize, a winner of the UOB Art in Ink Award, the Awards for Creative Writing in Chinese, and Professor Mayching Kao Art History Award. His exhibition catalogues The Countenance of Text and Everyday Practice were published.

香港藝術家及寫作人。香港中文大學藝術系畢業，後修畢藝術碩士（創作）及性別研究文學碩士課程。他的創作經年思索文字、文學與繪畫的關係，文學性之於當代繪畫的契合。

近年展覽包括「The Name Red」（2021）、「Everyday Practice」（香港及紐約，2019及2020）、「一夕餘地」（2019）及「在詩的港口」文學實驗計劃（2016-17）等。曾入選Sovereign傑出亞洲藝術獎、獲大華銀行年度水墨藝術大獎、中文文學創作獎及高美慶教授藝術史獎學金等，著有《文本有相》及《Everyday Practice》等展覽小書。