Introduction/bio:

Dr. Wong Kwok Kui received his Ph.D. in Philosophy from University of Tübingen, Germany, and M. Phil. in Comparative Literature from University of Hong Kong. His research interests are Nietzsche, Schelling, hermeneutics, the problem of time and poetics, theatre aesthetics. His latest publications include a book on Nietzsche,《尼采﹕從酒神到超人》﹐(香港﹕中華書局﹐2014), and articles like “Rhythm and the Symbolic Process in Nietzsche’s The Birth of Tragedy”, New Nietzsche Studies, ”Schelling’s Understanding of Laozi”, Dao: Journal of Comparative Philosophy, “Hegel’s Criticism of Laozi and Its Implications” in Philosophy East and West, “Schelling’s Criticism of Kant’s Theory of Time” in Idealistic Studies, etc. As a playwright he has also staged more than ten plays in the last seven years, which are collected in《經典新篇—從希臘悲劇到布萊希特的本土重寫》， (香港: 國際演藝評論家協會，2013).

Teaching and Research areas:

Chinese and Western Modes of Thought, Great Works in the Humanities, Introduction to the Art of Theatre, Devil and Culture, Introduction to Western Classical Culture.

1. 2012 – present, Wong Kwok Kui, Principal Investigator, “Time and Poetics: A Study of the Problem of Time and Creative Language”, FRGI (HKD 50,000).

1. 2017, “Rhythm and the Symbolic Process in Nietzsche’s The Birth of Tragedy”, New Nietzsche Studies
2. 2017﹐黃國鉅編，《尼采透視》﹐(台北：五南文化)
3. 2017﹐〈尼采的古典世界中人的形象〉，黃國鉅編，《尼采透視》﹐(台北：五南文化)﹐頁65-82。
4. 2017, ”Schelling’s Understanding of Laozi”, Dao: Journal of Comparative Philosophy, (Springer)
5. 2014﹐《尼采﹕從酒神到超人》﹐(香港﹕中華書局﹐2014)﹐395頁。
6. 2014﹐「從悲劇看香港的命運」《思想》，第26期，(台北：聯經，2014)，頁169-182
7. “Figuration of Time: Rhythm and Metaphor in Dramatic Language”, in: N. de Warren & D. Moran ed. Contributions to Phenomenology (Springer)
8. 2014﹐「尼采關於韻律與圖像」《網路傳媒與文化》，(台北：華泰文化，2014)，頁123-136
9. 2013﹐〈時間問題與戲劇語言〉﹐《意象》﹐ (北京﹕北京大學)﹐第四期﹐頁167-180
10. 2013，〈伽達瑪論詞語的構成〉《東吳哲學學報》，(台北：東吳大學哲學系)，第二十九期，頁63-93

1. 2016﹐《漁港夢百年》，第二部曲，噩夢連場。天邊外劇團，牛棚藝術村十二號室
2. 2014, The Lutings, 01-09/08/2014, Greenside @ Nicholson Square, 25 Nicolson Square, EH8 9BX , Edinburgh, UK；《盧亭》，2015年1月1-10日天邊外劇場﹐大角嘴水泊劇場。(nominated for best non-English show and best original work by HKELD)
3. 2014﹐《漁港夢百年》，第一部曲，初入夢鄉。天邊外劇團，沙田大會堂文娛廳，荃灣大會堂文娛廳
4. 2014﹐《禁區廣場》, 天邊外劇場﹐大角嘴水泊劇場
5. 2013，《經典新篇—從希臘悲劇到布萊希特的本土重寫》，香港藝術發展局資助，(香港: 國際演藝評論家協會)﹐280頁。
6. 2010，《變天》，天邊外劇場，西灣河文娛中心劇院
7. 2010，《月季與薔薇》﹐天邊外自由劇場
8. 2010，《阿God你漏左野呀?》，天邊外自由劇場
9. 2009，「魔君前奏」文字創作，天邊外劇團、香港話劇團，《捕月魔君‧卡里古拉》，香港大會堂劇院大堂
10. 2008，《聖像山》，天邊外劇團《編風作浪》，沙田大會堂文娛廳